Dave Ball, one half of the groundbreaking 1980s synth-pop band Soft Cell, has passed away at the age of 66.
Alongside vocalist Marc Almond, the team scored a global success with their cover of Gloria Jones' Tainted Love in the mid-80s, and their debut album their initial full-length release is considered a classic of electronic music.
He subsequently formed the innovative techno group The Grid, who secured chart success with 1994's the hit Swamp Thing.
Ball died peacefully in his rest at his residence in London on Wednesday 22 October, only a short time after playing a featured performance with Soft Cell at the Rewind Festival in Henley-on-Thames.
Recent Health Challenges
At that show, Ball performed in a mobility chair, as he had for the previous couple of years, following a spate of ill-health.
"I ended up damage myself quite a bit," he commented in a recent interview. "I broke spinal bones in my spine and fractured about five ribs and fractured my arm."
Following contracting a lung infection and suffering from blood poisoning, he was put in an induced coma and remained in the hospital for half a year.
However, he had been in "a great place emotionally" during the warmer months, as he was developing a fresh record with Almond, titled Danceteria, which is set for publication next year.
"He was focused and so happy with the new album that we literally finished only a short time ago," said the vocalist in a heartfelt message.
"It's so sad as next year was completely planned to be such an uplifting year for him, and I find comfort from the knowledge that he heard the completed album and felt that it was a masterpiece."
Tributes
Almond described his bandmate as "an exceptionally talented creative mastermind", stating: "He was the heart and soul of Soft Cell and I'm extremely pleased of our legacy.
"Many thanks Dave for being an significant aspect of my existence and for the songs you created with me. I couldn't be where I am without you."
Richard Norris from The Grid, shared his condolences, remembering Ball's "endless laughter" and "unwavering friendship".
"Being in a duo with someone is different from being in a group, the bond is very tight," he continued.
"That was the case with us. We experienced so many remarkable, incredible, memorable experiences as a team. Many thanks, Dave."
Early Life
Brought into the world into a one-parent family in the city of Chester in 1959, Ball was put up for adoption when he was 18 months of age.
He grew up in Blackpool with adoptive parents his caregivers, who altered his given name from his birth name to David, alongside his younger sister Susan, who was similarly welcomed.
He encountered Almond at an art college in the late 70s, where they were both learning fine arts. Fuelled by a mutual passion of a music genre, they formed Soft Cell the very year, and quickly recorded an extended play.
Creative Collaboration
The pair were an unusual pairing: Ball was the quiet technician, bent over his synthesizer, while Almond was a flamboyant showman, all sparkle and eye-liner; but they attained a rare musical alchemy.
Ball had developed a fascination with synthesizers after viewing Kraftwerk appear on a television science show Tomorrow's World, and started to marry moody electronic sounds to the catchy tunes Almond was composing.
Their signature song became the UK's second biggest-selling single of 1981, shifting 21 million copies worldwide. Together with successful tracks by Gary Numan, Human League and electronic acts, it contributed to cleared the path for the synth-pop sound of the 1980s.
The track was also included on their first album, their initial LP, which spawned two additional top five hits: Bedsitter and Say Hello, Wave Goodbye.
They continued the album up with the stand-alone single, Torch, which peaked at number two in 1982.
Professional Journey
Success had its upsides. "I loved being able to purchase my first home, having financial security and travelling, which might seem like a beauty queen," Ball not long ago told with a music magazine.
But it also presented problems. "Sudden riches meant we could afford newfound drugs to relieve the boredom" of media interviews and TV performances, Ball said.
"I realize that's a common saying, but it's a truism for a good reason, because it applies for so many musicians."
Amidst the hedonistic lifestyle, the pair were also growing distant, but they managed to create a second classic album - the wayward, edgy and aptly-titled The Art Of Falling Apart.
They put out one more album, 1984's This Last Night In Sodom, before ending the band to focus on other projects.
Almond proceeded to have a successful solo career, featuring the chart-topping single Something's Got A Hold Of My Heart; while Ball created The Grid, who mixed acid house with melodic sounds over a enduring collaboration.
Later Work and Comebacks
Soft Cell came back together in 2001, releasing the charting album Cruelty Without Beauty.
After another hiatus, they returned in 2018, issuing the new tracks Northern Lights and Guilty (Cos I Say You Are) before staging what was supposed to be a farewell show at the O2 Arena on September 30, that year.
Yet, they remained active, recording their latest project, Happiness Not Included, during the pandemic Covid lockdown.
Ball recently described the duo's upcoming release as a tribute to the NYC nightlife they visited while making their first two albums.
He noted that his time in medical care had shaped the band's sound.
"I experienced unusual memories when I was in and out of the hospital because I was on pain medication," he explained to a music magazine.
"The new songs are a digital reflection of the noises in my mind from those days.
"Simultaneously, it's about the experiences we got up to in the 80s."
The final mixes were completed only days before Ball passed away. It is due for release in Spring 2026.